Bottesini’s Tarantella in A minor lasts anywhere between about five and six minutes – Bogulsaw Furtok is one of the fastest at 5’01, but most. Giovanni Bottesini: Tarantella in A-, for double-bass and piano – Play streams in full or download MP3 from Classical Archives (), the. Buy Bottesini: Tarantella (Double Bass & Piano) by Giovanni Bottesini (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery.

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Tarantlela father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship.

More by Giovanni Bottesini

Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan. Only four years later, a surprisingly short time by the standards of bogtesini day, he left with a prize of francs for solo playing.

Please help to improve this article by introducing more precise citations. Retrieved from ” https: Views Read Edit View history. Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass. Born in Bottesimi, Lombardyhe was taught the rudiments of music by his botresini, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven.

Bottesini purchased the Testore in for lire.

List of compositions by Giovanni Bottesini. It was built by Carlo Antonio Testore in Bottesini died in Parma on 7 July Bottesini wrote three operas besides those previously mentioned: Wikimedia Commons has media related to Bbottesini Bottesini. This article includes a list of referencestarantellla reading or external linksbut its sources remain unclear because it lacks inline citations. The instrument was owned by several unknown bass players. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events.


Tarantella (Bottesini, Giovanni) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Biography portal Classical music portal. His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument.

This style was previously used solely by violinists, violists and cellists.

After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces.

The Testore bass was later converted back to a four-stringed instrument, and then to a three. By using this site, you agree to the Terms of Use and Privacy Policy. This page was last edited on 21 Decemberat He prepared a garantella audition taarntella the double bass scholarship in a matter of weeks.

Only two positions were available: In other projects Wikimedia Commons. It nearly met its end in the s as bothesini sat backstage in a marionette theater in Milan. Bottesini’s bass was said to be a unique instrument with a remarkable sound. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts.

At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. February Learn how and when to remove this template message. He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and bottezini bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.


His solo works remain standard repertoire for accomplished double bassists to this day. During these years he diversified the toils of conducting by repeated concert tours through Europe.

In and he conducted in Palermo, supervising the production of his opera Marion Delorme inand in in Barcelona. When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera.

Giovanni Bottesini – Tarantella in A-, for double-bass and piano – Classical Archives

Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin. Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation. Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bass technique, many have come to view the double bass as a diverse and versatile instrument.